Bach Bibliography
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
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1. Altmann recreates Bach Thomaskirche audition. Diapason 49 8:584 Jul 1958 1
2. Carmel Bach Festival opens its 24th season. Diapason 52 7:619 Jun 1961 5
3. Lost Bach portrait found. Reproductions are made. Diapason 41 10:490 Sep 1950 20
4. Marietta Bach Society [Ohio] holds 40th meeting. Diapason 53 11:635 Oct 1962 23
5. Montreal Bach Choir reports historic Japanese tour. Diapason 52 11:623 Oct 1961 15
6. Schweitzer's View on correct tempos for works of Bach. Diapason 41 12:492 Nov 1950 22
7. Adams, Gwen E.Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76 7:908 Jul 1985 9-11
8. Albrecht, ChristophCurrent Problems in the Interpretation of Bach's Organ Works. Diapason 81 1:962 Jan 1990 14-15
9. Arias, Enrique AlbertoBach's The Art of Fugue Revisited: Hans Heinrich Eggebrecht, J. S. Bach's The Art of Fugue--The Work and its Interpretation. Diapason 86 4:1025 Apr 1995 11-12
10. Arias, Enrique AlbertoWilhelm Middelschulte's Kontrapunktische Symphonie and the Chicago Gothic tradition. Diapason 94 6:1123 Jun 2003
11. Babitz, SolOn using early keyboard fingering. Diapason 60 3:711 Feb 1969 15-28
12. Babitz, SolOn using early keyboard fingering. Diapason 60 4:712 Mar 1969 21-26
13. Babitz, SolOn using early keyboard fingering. Diapason 60 5:713 Apr 1969 21-24
14. Baggia, Aldo J.In the footsteps of the young Johann Sebastian Bach. Diapason 92 7:1100 Jul 2001 14-17
15. Bates, WilliamAn Index to the Organ Works of J. S. Bach. Diapason 76 6:907 Jun 1985 9-13
16. Bergenfeld, NathanThe inverted mordent in Baroque keyboard music. Diapason 61 4:724 Mar 1970 20-21
17. Biggs, E. P.The case for the pedal harpsichord, or, a new look at the Bach Trio Sonatas. Diapason 58 1967 12
18. Boehnke, Paul B.The Advent & Christmas Chorales of the 'Orgelbüchlein': Their Histories and Settings. Diapason 76 5:906 May 1985 9-12
19. Borowsky, A.Ornamentations in the music of Bach. Diapason 53 5:629 Apr 1962 8f
20. Brenner, Rosamond DrookerAn historical approach toward the interpretation of Johann Sebastian Bach's organ works. Diapason 60 8:716 Jul 1969 23-25
21. Bruening, Herbert D.Critic Recalls Bach Series 25 Years Ago by Lynnwood Farnam. Diapason 46 1:541 Dec 1954
22. Bruening, Herbert D.Organ catechism, organ mass, or is it both? Diapason 50 7:595, 8:596 Jun, Jul 1959 8; 31
23. Bruening, Herbert D.Playing all of Bach's works. Diapason 41 1950 22
24. Butler, H. JosephEmulation and inspiration: J.S. Bach's transcriptions from Vivaldi's L'estro armonico. Diapason 102 8:1221 Aug 2011 19-21
25. Böhme, UllrichA New Silbermann for Leipzig? 'Out of Love for This Famous Place - Proposal for a New Organ for St. Paul's Church'. Diapason 95 10:1139 Oct 2004 24-25
26. Christiansen, ClayToward more innovative, creative and less Rigid Registration of J.S. Bach's Organ Works. Diapason 86 3:1024 Mar 1995 12-15
27. Crowell, GregoryRegistration and sonority in J.S. Bach's continuo practice. Diapason 93 2:1107 Feb 2002 19-21
28. Derr, EllwoodBach's Six Organ Sonatas and their Corelli Data-Base. Diapason 79 1:938, 2:939 Jan, Feb 1988 12-14; 12-13
29. Derr, EllwoodBach's sonata in G, BWV 530/i, and its Vivaldi Data-Base. Diapason 78 9:934 Sep 1987 14-16
30. Dodd, Mary AnnOn the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 1. Diapason 94 9:1126 Sep 2003 22-25
31. Dodd, Mary AnnOn the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 2. Diapason 94 10:1127 Oct 2003 21-25
32. Dodd, Mary AnnOn the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 3. Diapason 94 11:1128 Nov 2003 18-22
33. Evans, Margaret R.Symposium: The Organ Chorales of Bach (Arizona University). Diapason 76 3:904 Mar 1985 8
34. Faulkner, QuentinDeceptive Pivot Points in J.S. Bach's Orgelbüchlein: similar passages that lead in different directions. Diapason 91 12:1081 Dec 2000 16-17
35. Fiseisky, AlexanderClavierübung III of J.S. Bach: Theology in notes and numbers. Part 1. Diapason 101 10:1211 Oct 2010 22-25
36. Fiseisky, AlexanderClavierübung III of J.S. Bach: Theology in notes and numbers. Part 2. Diapason 101 11:1212 Nov 2010 26-29
37. Fiseisky, AlexanderClavierübung III of J.S. Bach: Theology in notes and numbers. Part 3. Diapason 101 12:1213 Dec 2010 27-29
38. Fournier, Carolyn ShusterThe First Europa Bach Festival in Paris. Diapason 97 2:1155 Feb 2006 19
39. Fruhauf, EnnisBach's chromatic fantasia and fugue in D minor, BVW 903: A work in progress. Diapason 108 6: 1291 Jun 2017 23
40. Fuller, David R.Harpsichord registration. Diapason 69 8:824 Jul 1978 1, 6-7
41. Graveline, Michelle[The cadenza question: a discussion.] Diapason 73 12:877 Dec 1982 4-6
42. Harmon, ThomasPerformance and the Affektenlehre in Bach's Orgelbuechlein. Registration, Tempo, Phrasing and Articulation, Ornamentation, and Expressive Nuance. Part I: Chorale Preludes for Advent and Christmas. Diapason 64 1:757 Dec 1972 4-5; 14
43. Harmon, ThomasPerformance and the Affektenlehre in Bach's Orgelbuechlein. Registration, Tempo, Phrasing and Articulation, Ornamentation, and Expressive Nuance. Part II: Passion and Easter Chorale Preludes. Diapason 64 5:761 Apr 1973 4-5
44. Horowitz, JeromeBach's Canonic Variations on Vom Himmel hoch as an extension of the Goldberg Variations. Diapason 85 10:1019 Oct 1994 11
45. Hudson, Richard AlbertThe passacaglia and ciaccona in Italian keyboard music of the 17th century. [1] Diapason 60 12:720 Nov 1969 22-24
46. Hudson, Richard AlbertThe passacaglia and ciaccona in Italian keyboard music of the 17th century. [2] Diapason 61 1:721 Dec 1969 6-7
47. Huestis, Herbert L.How to explore nearly equal temperament with your piano tuner. Diapason 94 7:1124 Jul 2003 17
48. Huestis, Herbert L.Reflections on the Philosophical, Metaphysical and Practical Aspects of Dual Temperament in the Pasi Organ at St. Cecilia's Cathedral, Omaha, Nebraska. Diapason 96 7:1148 Jul 2005 16-17
49. Huestis, Herbert L.The Merits of Nearly Equal Temperament. [2] Diapason 94 8:1125 Aug 2003 16-17
50. Huestis, Herbert L.Well-Tuner's Fest. Diapason 95 1:1130 Jan 2004 20
51. Huray, Peter LeOn using early keyboard fingerings -- a sequel. Diapason 60 7:715, 8:716, 9:717 Jun, Jul, Aug 1969 10-11; 14-15; 10-11
52. Jander, OwenThe 'Wedge' Fugue: Bach's Concerto for the Display of the Four-Manual Organ. Diapason 70 12:840 Nov 1979 10-12
53. Jefferies, Denise ElmoreBach Week '95. Diapason 86 10:1031 Oct 1995 6
54. Jones, PerryThe revival of Bach's choral music. Diapason 89 11:1068 Nov 1998 16-17
55. Kazarow, PatriciaAus tiefer Not: Martin Luther's Psalmhymn. Diapason 74 11:888 Nov 1983 8-12
56. Kellner, Herbert AntonDie Kunst der Fuga. J. S. Bach's Prefatory Message and Implications. Diapason 91 5:1086 May 2000 15-17
57. Kellner, Herbert AntonHow BACH encoded his name into Die Kunst der Fuge together with his tuning. Diapason 90 5:1074 May 1999 14-15
58. Kellner, Herbert AntonJohann Sebastian Bach and Die Kunst der Fuga. Diapason 91 3:1084 Mar 2000 13
59. Klemm, MarthaBach Week 1993. Diapason 84 10:1007 Oct 1993 10
60. Klinda, FerdinandA Possible Source for Bach's Organ Fugue in B minor, BWV 544. Diapason 67 1976 13
61. Knijff, Jan-PietBruhns's 'little' E-minor: A guide towards performance. Diapason 97 1:1154 Jan 2006 22-24
62. Knijff, Jan-PietJohann Ludwig Krebs, Prelude in F Major: A guide towards performance. Diapason 97 8:1161 Aug 2006 28-29
63. Kooiman, EwaldSense and nonsense about silent finger substitution and pedal technique in the nineteenth century. Diapason 96 10:1051 Oct 2005 26-29
64. Kuznik, Joel H.2004 Leipzig Bach Festival. Diapason 95 8:1137 Aug 2004 16
65. Kuznik, Joel H.BWV 1128: A recently discovered Bach organ work. Diapason 99 12:1189 Dec 2008 22-23
66. Kuznik, Joel H.Dresden's Frauenkirche: Once a Silbermann, now a Kern. Diapason 97 2:1155 Feb 2006 20-21
67. Kuznik, Joel H.For Bach--A very special organ: St. Catherine's Church, Hamburg. Diapason 96 6:1147 Jun 2005 18
68. Kuznik, Joel H.Music & Worship at Bach's Church Today Conversations with the Cantor, Organist and Pastor of St. Thomas, Leipzig: Cantor Georg Christoph Biller - Organist Ullrich Bohme - Pastor Christian Wolff. Diapason 96 12:1153 Dec 2005 24-26
69. Leach, Brenda LynneBach's Organ Transcriptions: Cantatas and Schubler Chorales, part 2 Diapason 85 6:1015 Jun 1994 10-11
70. Leach, Brenda LynneBach's Organ Transcriptions: Influence of Italian Masters, part 1 Diapason 85 5:1014 May 1994 10-11
71. Lehman, BradleyBach temperament. Diapason 96 5:1146 May 2005 23-24
72. Marigold, W. GordonOrgan and church music activity in Munich during the European Year of Music. Diapason 77 8:921 Aug 1986 13-16
73. Marigold, W. GordonThe Organs at the Marienkirche at Luebeck. Diapason 61 1:721 Dec 1969 25
74. Maté, FrancineThe University of Michigan Historic Tour 49: 'In the Steps of Bach and Luther'. Diapason 94 12:1129 Dec 2003 24-25
75. McLaughlin, RenateJ.S. Bach's English and French suites with an emphasis on the courante. Diapason 102 3:1218 May 2011 24-25
76. Mies, Russel H.Baroque tradition and its application to playing of Bach. Diapason 45 4:532 Mar 1954 16
77. Morana, FrankMotivic Symbolism in J.S. Bach's Partita 1. Diapason 84 11:1008 Nov 1993 16-17
78. Morana, FrankThe 'Dobenecker' Toccata BWV-Anh. 85: An Early Bach Work? Diapason 82 5:978 May 1991 14-16
79. Norman, TerryBach and the Cross. Diapason 74 3:880 Mar 1983 4
80. O'Donnell, JohnAnd yet They are not Three Fugues: but One Fugue. Another look at Bach's Fugue in E-flat. [BWV 552/2] Diapason 68 1:805 Dec 1976 10-12
81. O'Donnell, John'In Dulci Jubilo' from the Orgel-Buechlein Resolved! Diapason 67 1:793 Dec 1975 4-6
82. Overduin, JanBach and Die Kunst der Fuge. Diapason 89 5:1062 May 1998 15-17
83. Palmer, LarryJohann Sebastian Bach: Past, Present, Future: SEHKS and MHKS Meet in DeLand, Florida, March 3-5, 2005. Diapason 96 6:1147 Jun 2005 19
84. Palmer, LarryStriking gold: Some thoughts on performing Bach's Goldberg variations. Diapason 107 9: 1292 Sep 2016 11
85. Parks, CarlThe University of Michigan Historic Organ Tour 50. Diapason 95 11:1140 Nov 2004 21-23
86. Peterson, John DavidSymbolism in J. S. Bach's Prelude and Fugue in E-flat and its Effect on Performance. Diapason 67 3:795 Feb 1976 1, 6-8, 16
87. Pisk, Paul A.Bach in our time - a tribute in the month of his birth. Diapason 59 4:688 Mar 1968 24
88. Richards, E.Bach's Organ music offers revelation in new recordings. Diapason 41 1950 20
89. Richards, RuthannThe 'Orgelbüchlein': its history and cantus firmus treatment. Diapason 60 11:719 Oct 1969 24-25
90. Roese, Janis M.Considerations of chorale text in Bach's 'Clavierübung III'. Diapason 77 6:919 Jun 1986 16-19
91. Serebrennikov, MaximFugal Improvisation in the Baroque Era—Revisited: On material from German sources. Diapason 104 9:1246 Sep 2013 24-29
92. Serebrennikov, MaximOn an unknown prelude and fugue by Gottfried Kirchhoff: Recovering some lost pages of his output. Diapason 102 9:1222 Sep 2011 20-23
93. Shay, EdmundThe expressive use of manual changes and Bach's Six Great Preludes and Fugues. Diapason 59 6:702 May 1968 24-25
94. Shay, EdmundThe expressive use of manual changes and Bach's Six Great Preludes and Fugues. Diapason 59 4:700 Mar 1968 26-28
95. Shay, EdmundThe Parody Conundrum. Diapason 98 6:1171 Jun 2007 22-23
96. Shay, EdmundThe Schübler Chorales & The Numbers Game. Diapason 90 9:1078 Sep 1999 16-17
97. Smith, DomecqThe Passion and the Pièce d'orgue. Diapason 92 11:1104 Nov 2001 20-21
98. Soderlund, SandraPerforming the Keyboard Fantasies of C.P.E. Bach. Diapason 79 4:941, 5:942 Apr, May 1988 12-14; 10-11
99. Swallow, CarolynBach Week 1991 [Columbia, SC, in June 17-21]. Diapason 82 10:983 Oct 1991 11
100. Taylor, Barbara SaundersBach Week 1992 [June 15-19 in Columbia, SC.]. Diapason 83 11:996 Nov 1992 7-8
101. Troeger, RichardFlexibility in Well-tempered Tuning. Diapason 73 6:871 Jun 1982 6-7
102. Troeger, RichardSpeculations on Bach's clavichord technique. Diapason 73 12:877 Dec 1982 12-14
103. Wagner, DavidBach and the art of improvisation: A conversation with Pamela Ruiter-Feenstra. Diapason 106 6:1267 Jun 2015 20-23
104. Welch, James B.J. S. Bach's concerto in D minor, BWV 596, after Vivaldi: its origin, questioned authorship, and transcription. Diapason 74 5:882 May 1983 6-7
105. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4

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